My name is Berenice Arnold. I am a Mexican interdisciplinary artist working at the intersection of sound, image, and installation. My artistic practice is driven by an urgent commitment to listening as a critical tool—to sound as a living material, to territory as a resonant system, and the relationships between nature, culture, and perception that shape contemporary life. Listening operates in my work as an ethical stance, allowing me to engage with environmental and social realities in a reflective and responsible way.

I approach sound as a cultural and sculptural force capable of generating new artistic languages and forms of knowledge. Through focused exploration of , timbre, vibration, and resonance, I translate sonic phenomena into visual and spatial structures, creating embodied experiences that move across sonic, material, and symbolic systems. This process enables interdisciplinary dialogue and challenges conventional boundaries between artistic media.

Over the past five years, I have developed research-based projects grounded in specific local contexts and ecological awareness. My work investigates sound as an agent of transformation—informing the production of crystals, ceramics, landscapes, and graphic systems—while engaging non-human entities and natural processes as active collaborators. I understand artistic practice as a space for experimentation, care, and critical inquiry, where artistic research can respond to environmental urgency and propose alternative modes of coexistence.

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